Our Ambassadors for Saturday Indesign 2019 are at the forefront of the industry. Find out what makes them tick in our profile series. First up is architect Tan Szue Hann – the Managing Director of MINIWIZ Singapore.
MINIWIZ is a circular economy RD&D [Research, Design & Development] company that turns waste materials into architecture, interiors, furniture, products, fashion and anything else that is worthwhile and meaningful.
The great thing about what MINIWIZ produces is that sustainability credentials are matched by visual appeal. The company’s Polli-Ber Brick is the perfect example. This modular interlocking brick made with recycled plastic and agricultural waste is so beautiful that it will serve as the trophy for the winning team in our Saturday Indesign 2019 Debate!
Since Hann joined the company and established its Singapore office earlier this year, he has been busy not only spreading awareness of the MINIWIZ catalogue of modular building materials, furniture and objects, but also working with government to push toward circular economy initiatives.
We sat down on some of MINIWIZ’s own furniture (incorporating recycled materials, of course) for a chat about Hann’s goals for a more sustainable Singapore, and the kinds of solutions MINIWIZ can offer designers and their clients.
What is the key message you’d like people to understand about MINIWIZ and what it does?
We can really use design to elevate the value of materials. A lot of what we do at MINIWIZ is applying design and engineering so that people appreciate the value of what’s been recycled. A lot of people look at recycled goods and think, “Hey, that used to be someone else’s.” And in our culture, in Asia, sometimes there’s a bit of stigma to that. But if we re-engineer, re-design and almost make it unrecognisable, then that allows for the material to gain a new perceived value.
But what we do is not just about perception or how something looks, but also how it performs. A new composite or a newly engineered material can often perform better than it originally could have.
Could you give us some examples?
For example, our Polli-Ber Brick – which will be the Saturday Indesign Debate trophy – is a composite of polystyrene, which is otherwise very brittle, and rice husks from agricultural waste. Combining those in a certain proportion makes the plastic a lot less brittle. The rice husks also bring a new aesthetic quality to the material. And that also empirically improves its value.
In what contexts are people specifying the Polli-Ber Brick?
We’ve supplied it for the backdrop of a stage set, it’s been made into feature walls (including architectural offices), and of course it’s the entrance wall at our MINIWIZ Singapore office as well. So far it’s been used in a decorative way and as partition walls, but we have also engineered a material that can also be used for exterior walls. It’s similar to Polli-Ber Brick, but we fill the cavity with concrete so it becomes fireproof as well.
What sort of product inventory does MINIWIZ keep, and how can your products be ordered?
We work on a solutions-based model. What that means is we try to customise solutions for architects, for developers, for homeowners or whoever it is. We don’t carry a huge inventory of our products. The model is more like – what kind of space do you have? What sort of products or combinations thereof could actually make sense for what you require? So it could be partially bricks, it could be partially plastic felt wall panels – depending on what you need to do with the space and how it needs to perform. We can also start introducing furniture that’s made of recycled waste. So it’s a combination of all these things.
Therefore we don’t have an exact inventory from which you can pick and choose. We customise for you and we start making the production orders accordingly. So every product is customised, even though the building blocks are the same.
The production is currently primarily based in Taiwan [where the MINIWIZ headquarters are located], although we are in talks of bringing it closer to the SEA region to mitigate carbon footprint. We also have portable machines for producing our wall tiles and our smaller items, so we can manufacture those on site, anywhere in the world.
How and why are you working with government here in Singapore? What are you hoping to achieve?
Working with the government is crucial because we need a whole culture where the circular economy is the established norm. Right now we’re not there. We need to get the framework and policy in place such that recycling becomes a way of life, and we’re sorting out our own waste before it goes into the dump. When recyclable materials are already sorted out and fairly clean, then the re-engineering and production of materials can begin.
Without those kinds of policies, people are just going to continue throwing things away the same way they have in the past. When it comes to consumers, there’s a lot of wanton throwing away of things that are only used once or twice. That’s not good enough for the sustainable nation we want to be. We need to start developing a culture that appreciates the multiple uses of materials and the constant renewal of goods into different things. That’s how we can begin to establish a circular economy.
“We need to start developing a culture that appreciates the multiple uses of materials and the constant renewal of goods into different things.”
– Tan Szue Hann
That doesn’t mean that we cut off the consumer chain entirely, or that we are anti-consumerist. We’re not obviously, because you need growth to happen. But if we start thinking about building new things with what we currently have, without expending more carbon to generate brand new materials, that’s the beginning of closing that loop.
Perhaps one of the factors leading to Singapore’s lack of recycling culture is the domestic rubbish chute. Do you agree?
I’ll pull the lens a bit further back. The main problem related to the lack of recycling is the whole culture of efficiency. We’re obsessed with being efficient and with hygiene. There are multiple instances where single-use plastics are extremely necessary – primarily in the medical field. But I think it’s also about what is sensible. There’s a fine balance to keep between what is convenient and what is considerate.
What did you enjoy at past editions of Saturday Indesign, and what are you looking forward to this year?
Saturday Indesign is a confluence of the exciting new design products that are out there, and the key players in the industry – all within one day, and within a curated set of spaces. To have Indesign curate an event and have the entire community come down and engage in discourse and conversations about design – and of course the debate! – that’s a red-letter calendar event that everyone can look forward to. And I imagine it will only keep growing.
The buzz is not just the event, but also its combination with what’s out there on the web. The ecosystem that creates has become even stronger than in previous years. I’m really proud to be an Ambassador for Saturday Indesign and I’m looking forward to 12 October!